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Claire Potter: a note on Acanthus

An enduring line running through Acanthus is perhaps one that inevitably moves obliquely or sideways. Looking back now, many of the poems traverse the clarity of a dream-like state: diverting from an imaginary centre and meandering across strange ground.

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The Novel Prize: entries opening 1 April

Giramondo Publishing, Fitzcarraldo Editions and New Directions are pleased to announce that The Novel Prize, the biennial award for a book-length work of literary fiction written in English by published and unpublished writers around the world, will open for entries for submissions on 1 April 2022.

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Praise for The Dancer

Praise for The Dancer from Nicholas Jose, Sam Twyford-Moore, Anna MacDonald, Tom Carment, David Malouf and Helen Garner.

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The new HEAT is here

HEAT, Australia’s international literary magazine, has relaunched in a new series after a decade-long hiatus. Subscribe and join a community of readers that champions innovative writing from Australia and around the world.

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Adam Aitken: a note on Revenants

Revenants is a collection of poems about haunted geographies, and extends my earlier work on archival sources, photos and letters, both personal and public. I see myself as an amateur archaeologist exploring the strata of local histories.

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Jessica Au: a note on Cold Enough for Snow

Often, for a work to have a sense of ‘aliveness’, writing it has to be just as much a process of discovery for the author as for the reader. While working on Cold Enough for Snow, I suppose I was thinking about several things, and trying to conceive of a form – the simplest possible – where many, or all, could be held to be true at once.

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The Magpie Wing, a playlist

In The Magpie Wing, brother and sister Walt and Helen find a brief sense of belonging in the underground music communities of inner Sydney after fleeing the family home in the city’s southwestern suburbs: via the early internet, back issues of DIY punk zines and informal CD swapping networks. This playlist takes the bands named in the book as influences, and places them with Sydney bands the pair would have played with, supported, or watched.

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Nicolette Stasko on J.S. Harry

“Jann was extremely precise in her work and these apparent incidentals mattered. I think that a fundamental dichotomy in her approach caused her some existential angst: how could she make the poem as exact as possible and yet still leave ‘room in each poem for the imagination of the reader to move around in’.”

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