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Maria Takolander’s poetry presents the primitive aspects of life in dramatic and uncompromising ways. She strips the world of easy sentiment, highlighting the visceral qualities of experience, its hauntings and its premonitions of disaster. The intensity of the poems, and their focus on projections of violence, madness, degeneracy and despair, are tempered by a Gothic sense of beauty, and at times, a deadpan wit. The End of the World is divided into three parts – poems about childbirth and scenes of domestic menace; those set in places in the poet’s imaginative landscape which are troubled by the past (Finland, South America and Australia); and poems which portray the cruelties suffered and inflicted by the human animal.