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Fragments

96 pages
Paperback, 21 x 14.8 cm
Published September 2016
ISBN 9781925336191

Fragments

Antigone Kefala

Winner of the Queensland Literary Award

Antigone Kefala is one of the finest Australian poets, highly regarded for the intensity of her vision, yet not widely known, on account of her minimalism, and the small number of poems she has published, each carefully worked, each magical or menacing in its effects. Fragments is her first collection of poems in almost twenty years, since the publication of New and Selected Poems in 1998. It follows her memoir Sydney Journals (Giramondo, 2008), of which one critic wrote, ‘Kefala can render the music of the moment so perfectly, she leaves one almost singing with the pleasure of it’. This skill in capturing the moment is just as evident in Fragments, with its linguistic precision, its heightened perception and sense of drama – though the territory is often darker now, as the poet navigates the liminal spaces between life and death, and the energies which lie in wait there.

The fragment is Kefala’s preferred form, evocatively deployed across her practice. A fragment suggests both destruction and salvage, and thus perfectly embodies the preoccupation with loss and renewal that runs through Kefala’s writing.
Judges’ citation, Patrick White Literary Award

About the Author

Antigone Kefala

Antigone Kefala has written three works of fiction, The First Journey, The Island and Alexia, and five poetry collections, The Alien, Thirsty Weather, European Notebook, Absence: New and Selected Poems, and Fragments, which won the 2017 Judith Wright Calanthe Award and was shortlisted for the Prime Minister’s Award for Poetry. Her collections of journals are Summer Visit, Sydney Journals and Late Journals, her final work.

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Antigone Kefala wins 2022 Patrick White Literary Award

‘I am full of admiration for Patrick White, and for the encouragement he has given to Australian writers. I met him several times and liked him. I am very honoured to receive this prestigious award given in his name, and the recognition it offers, as for a long time my writing has existed outside the major lines of Australian literature.’

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