Nicholas Jose

The new work of fiction by the celebrated novelist and essayist Nicholas Jose, set against the turmoil of the independence movement in East Timor. The narrative is told from changing perspectives, moving through time and memory, in search of what really happened. It is a story, above all, about the formation, necessity and human cost of idealism.

Antipodean China is a collection of essays drawn from a series of encounters between Australian and Chinese writers, which took place in China and Australia over a period of almost ten years, from 2011. The engagement between the writers could be defensive, especially given the need to depend on translators, but as each spoke about the places important to them, their influences and the literary forms in which they wrote, resemblances between them emerged, and the different perspectives contributed to a sense of common understanding, about literature, and about the role of the writer in society. In some cases the communication was even stronger, as when the Tibetan author A Lai speaks knowingly about Alexis Wright’s novel Carpentaria, and the two winners of the Nobel Prize for Literature, Mo Yan and J.M. Coetzee, discuss what the Nobel meant for each of them.

The title of Nicholas Jose’s new collection of stories refers to a form of Chinese painting that tricks the eye into thinking what it sees is a collage of fragments. Bapo literally means ‘eight broken’, where eight is a Chinese lucky number and ‘broken’ implies that luck has run out – though the term also suggests that there’s another kind of luck, in simply surviving, and being able to hold the pieces of one’s life together in some sort of order.

Jose’s stories feature a cast of characters affected by time or chance in different ways, artists, diplomats, entrepreneurs, immigrants, families at the crossroads. Many explore Australia’s relationship to China or have echoes of China in them; others dwell on the qualities of memory, resilience, play and adventure – qualities which are implicit in the form of bapo, and characteristic of Jose’s writing as a whole.

Part thriller, part ethnic noir, dark and comic by turns, Original Face offers a sensuous and highly coloured portrait of the jostling energies that make up life in the contemporary Australian city. Drawing its title from an ancient Zen koan, the novel traces the complicated manoeuvres by which people mask their identities, and the accidental pathways by which these hidden selves come to light.