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Golden Repair

88 pages
Paperback, 21 x 14.8 cm
Published August 2023
ISBN 9781922725479

Golden Repair

Louise Carter

A powerful debut presenting a bold new voice in Australian poetry.

The poems in this collection draw upon the sounds, colours and quirks of urban and suburban Australia. Personal perceptions and associations are interwoven with snippets of speech, soundbites from TV shows, the percussive rhythm of highways and tramlines, and the atmospheric permutations of a climate in flux. Infused with a romantic sensibility, the poems dramatise the ways in which relationships are played out in ordinary circumstances, on balconies, backyards, streets and against skylines. As the poet exclaims, ‘Oh Lord of Chlorine, Gear Sticks,/ Forklifts and Cream Cheese, forgive my short attention span./ Grant me a chance to find enchantment in ordinary things.’ At the heart of the collection the extended sequence of poems ‘Golden Repair’ portrays the intoxicating highs of love and the darker emotions that come with its loss – the anger, the recriminations, the loneliness. As a doctoral student, Carter studied Luke Davies’ collection TotemGolden Repair may be seen as her own extended outcry of praise and lament.

About the Author

Louise Carter

Louise Carter’s poetry has appeared in Meanjin, Best Australian Poems, Westerly, Cordite and other publications. Her poem ‘Hot Clouds’ was Highly Commended in the 2018 Judith Wright Poetry Prize and in 2020 her poem ‘History of Sadness’ was Highly Commended in the Blake Poetry Prize. She lives on Gadigal land and is a member of the Writing & Society Research Centre at Western Sydney University.

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A poem by Louise Carter from Golden Repair

‘You waited for me to turn up and then when I did/we said yes to each other almost immediately/and the roof disappeared from your Lotus Elise/the sky so ecstatically blue/every pop tune a hymn.’

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Louise Carter: a note on Golden Repair

‘I see lyric poetry as humanity’s first recording device, one that can capture the sound of a person’s voice, as well as their aliveness. I’m also interested in poetry’s archival capabilities, which is why many of these poems include references specific to my suburban upbringing. I feel lucky to have grown up in a time when our gods were pop stars, singing songs of praise and lament to teenage girls; themselves gods.’ 

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