Beverley Farmer

The rediscovered poetry collection by the late Beverley Farmer, showing her mastery of the haiku, the simplest of poetic forms.

First published to acclaim in 1992, The Seal Woman is an intense and evocative portrait of a widow in mourning by one of Australia’s most important women writers, Beverley Farmer.

A new edition of Beverley Farmer’s classic 1980 debut, out of print for many years, Alone captures the emergence of one of Australia’s most powerful and distinctive writers.

A new edition of A Body of Water by Beverley Farmer, an out-of-print classic. Its mixing of genres – essay, memoir, fiction, folk tale – opened up new frontiers for Australian literature.

This Water is the last work of fiction by Beverley Farmer, one of Australia’s great prose stylists, and a pioneer of women’s writing in this country. It is a collection of five interwoven tales, three of them novellas. Each has a woman at its centre: in each the women speak, act, think for themselves, in opposing or escaping from an oppressive authority.

The three long essays that make up The Bone House are an extended meditation on the life of the body and the life of the mind, each based on a single theme and woven out of the same few elemental symbols of earth, and water, fire and blood, light and darkness.

What does art know that we do not? How does the image have such a hold on us all? Alongside the urge to grasp the world, to abstract and delve, is the urge to make our visions known, somehow to fix the moment in time in its fullness of meaning. In the essays, this hoard of moments takes the form of a mosaic, composed of myth, poetry and fable, of relics of the past, of explorations and illuminations and surface impressions. Set out like a commonplace book, they can be read in any sequence, or savoured for their detail.