Beverley Farmer (1941–2018) was the author of four collections of short stories, including Milk, which won the NSW Premier’s Award for Fiction, and the writer’s notebook, A Body of Water. She was also the writer of the novels Alone, The Seal Woman and The House in the Light, this last title being shortlisted for the Miles Franklin Award. The Bone House, a collection of essays on the life of the body and the life of the mind, was published by Giramondo in 2005. This Water: Five Tales was longlisted for the 2018 Stella Prize. It was her last work of fiction.
This package includes three titles by Beverley Farmer; they are The Bone House, a collection of three essays, This Water: Five Tales, her last work of fiction which was longlisted for the Stella Prize, and a new edition of the classic A Body of Water: A Year’s Notebook. Normally valued at $85, this bundle is offered at $60 (postage is free within Australia).
276 pages Paperback, 21 x 14.8 cm Published June 2017 ISBN 9781925336313
This Water is the last work of fiction by Beverley Farmer, one of Australia’s great prose stylists, and a pioneer of women’s writing in this country. It is a collection of five interwoven tales, three of them novellas. Each has a woman at its centre: in each the women speak, act, think for themselves, in opposing or escaping from an oppressive authority.
324 pages Paperback, 19.7 x 13 cm Published October 2005 ISBN 9781920882068
The three long essays that make up The Bone House are an extended meditation on the life of the body and the life of the mind, each based on a single theme and woven out of the same few elemental symbols of earth, and water, fire and blood, light and darkness.
What does art know that we do not? How does the image have such a hold on us all? Alongside the urge to grasp the world, to abstract and delve, is the urge to make our visions known, somehow to fix the moment in time in its fullness of meaning. In the essays, this hoard of moments takes the form of a mosaic, composed of myth, poetry and fable, of relics of the past, of explorations and illuminations and surface impressions. Set out like a commonplace book, they can be read in any sequence, or savoured for their detail.