HEAT Series 2

What was always apparent at the outset, however, was her passion for what she did and for who she was. Dot was never, nor ever would be, a wallflower or a shrinking violet – instead she approached life with a kind of bravado and swagger that I could only envy. She knew she was a peculiar talent and she did everything she could to realise her potential.

In all weather, but most often in winter, when the days are so short and so cold that seven-tenths of a guard’s life is lived in the dark, or half-dark.

The midwife looks at Regina’s hands on the reins and says, not good, the moon brings the fluids. And not an hour later the storm comes across and the creek bursts, sluicing the road. We need to go back and wait, says the midwife, wait until the waters go back into that damn creek, and the horse’s hooves can sink deep into the mud, every step along the road to yours.

Josie had always felt that pictured baby had nothing to do with her. So it was stranger still when she recognised her self more clearly in her aunt’s oil paintings. How could a painting be truer than a photo? Kate had captured some invisible element of air, like the petrol shimmer round her father’s shadow when he refilled the car.

Mt Gulaga becoming visible, something / ending, something beginning, the first / smoke of nightfall / thin over the canopy, / deep of it / rising steadily through the trees.

We know nothing whatever about how Macbeth was first performed. Not a shred of evidence survives. It is one of the great Shakespearean mysteries.

But consider the following. Macbeth was Shakespeare’s first and only Scottish play, filled with material guaranteed to interest his new Scottish king, from witchcraft to regicide to James’s descent from Banquo.

the goldfish pepsi / bumps into / her double in the / mirror glass of the tank / would she try to eat herself / for breakfast we could / play her the tape of dorian / gray

Last year I found myself at Lingnan University in Hong Kong to speak at a conference on action cinema. What better place to reflect on the work of cinematic editing in all its forms, from the blazing guns and flying fists of blockbuster movies to the stridently flickering visual assaults of the avant-garde?

We’ve turned it into emotion – / red pickle like the night’s heat, ice creams so / smooth they enforce silence, orange- / flavoured kisses, conversations directed by rum.

Anemograms from years you can hardly remember / handed round at an evening garden party. / Empty envelopes the colour of envy, / sparkling wine and cautious laughter.

The pitter-patter of falling water echoed in my ears, as though I could hear the squelching of soap on women’s skin. Supple flesh, water, the sweet scent of soap. When could I go swimming again? I didn’t know. I had no way of guessing, understanding, exploring, or predicting my fate. My mind swam with question marks, the answer to all of these questions the three words ‘I don’t know.’

The eyes are faulty interpreters. They pretend to know / The language but do not listen to accents / And are too confident for their own good.

Cameron called speed the laureate’s drug. I think Alan liked the connotation and he would not stop anyone from calling him The Laureate when he was running around bent and on speed. He even started promoting himself as The Laureate. Only when he was on speed though. When he was sober he was ironic and very modest.

Above all other obstacles, it was fear that had held me back in surfing and later, kept me out of the water. Fear of failure, fear of being an imposter, fear of being out of control. All these fears coalesced in the tell-tale corrugations of a big set looming out the back, that unstoppable phalanx of pure, liquid energy from which there was no escape.

All human beings, Hazlitt argued, have the capacity to both reason and imagine, and these abilities should not be regarded as separate. Nor should one be favoured over the other. They are complementary; the passions must bow to the moderating influence of reason, just as reason must not overlook the truth that is revealed by the passions.