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Published January 1996
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Floating across Jerusalem Bay we have made myths of the rotting life. A cloud of actual stench now rising from putrid squid, eyes sunk into their heads, in a pool of their own ink. The flanks of yellowtail smoke. The air bites. We come for slender hairtail, the chromed ones, through sheets of moonlight. Your poems about needs that can destroy a human heart, the way you lay down your whole life, light shining from your nouns across the pages. I thought you were one of London’s myths until I read your poems. The snake-head of a shag cuts the surface, the slits of its eyes barely open, it sails by, coughs then dives back under the black bay. Nearby prawns tumble in a cloud of sand under a waterfall. On our way back into the winter breeze with its thousand razor tails, you make some order of the tackle, in the stern with the ribbonfish. The night is glowing with fragments. Alive as the catch you shiver but continue, on behalf of the human creature, wrapping your metaphors of dead stars, gift-wrapping the abyss for us, wingless scavengers.
Lord Howe Island 1996 Wakes from nimbus cut to streaks by the clipped volcanic peaks mingle with an orange sky, the colour of parrot-fish gut. Monsoon time, nothing’s quite right, people drink or sleep or drift about. On my deck chair’s arm a tumbler of gin has sucked in a dragonfly. I drink myself sober as they say. All that happens is my past oozes through its pack of black jokes and disasters. During Under the Volcano I sucked bourbon through a straw from a milkshake carton, at 4am eating handfuls of ice-cream I tried to soothe a hangover that went on for a decade. I watched three Siamese cats and as many marriages sink with the fish. Always fish. Tight water in black pools, moonlight etching outlines of game-fishing boats onto my brain. Moored in slots, fat with money, yet taut, their trimmings set to kill. I worked them, sharpened hooks for high-rollers, sewing my special rigs. Bridles for bonito, live bait that trailed the barbed viridian in our wake. On the arm of my bamboo chair the glass of gin is blossoming. The sky opens and in sails, on black-edged wings a white, gracefully inhuman, tropic bird.
Robert Adamson, a poet of the Hawkesbury River, appeared in HEAT Series 1 and 2.
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