HEAT Series 3 Number 4

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‘If I wanted stillness, I’d build a bungalow,’ writes Ella Jeffery in ‘Supertall’, a poem that envisions life in 432 Park, the world’s tallest residential building. HEAT Series 3 Number 4 explores the tensions between house and home, nature and suburbia, earth and outer space. Clare Murphy uses the language of plants to tell a thorny story of urban development. A series of photographs by Yanni Florence reveal hidden images on city streets. Irish writer David Hayden shares a filmic vision of the Sydney suburbs in his short story ‘Marrickville Light’. Two poets, Ella Skilbeck-Porter and Ella Jeffery contemplate cats and real estate. And Luke Beesley and Amy Leach go further afield, conjuring worlds that sit somewhere between the real and the imaginary.

Contents

Clare Murphy Pioneer Species non-fiction
Yanni Florence Trees and Fences photography
Ella Jeffery Four Poems poetry
David Hayden Marrickville Light fiction
Ella Skilbeck-Porter Four Poems poetry
Luke Beesley Two Stories fiction
Amy Leach Amen to Nonsense non-fiction

Artwork by Hossein Valamanesh

From the issue

I was sitting on a park bench in winter waiting for my spine to register the chill. The sun was on the side of my face, and I could hear a soccer match. I tried to follow each player without looking at the oval; the players scattered and flickered, and I wanted to be the literature, the story – was sick of merely gusting at the side of it. I figured the first step would be to get cold, to be still, and yet activate a thought. To run my fingers.

Cat’s Pantoum / Cat in curve, perched on the side table / She said, holding out her hand / House cat leans forward, leaps: / A dislocation finds its moment

Australian voices remind Kate of dead people. The people she loved as a child, who loved sun and ciggies. More than life itself, as it turned out. A large cup of syrupy black coffee was on the bench table. Her left hand was bunched in a fist to conceal a dozen or so almonds. She pinched out a couple with the fingers of her right hand and passed them to her mouth, crunched and chewed, and took a drink.

Keats wrote that ‘Twang dillo dee’ – which means ‘amen to nonsense’ – should be written across the backs of politicians and ‘at the end of most modern Poems’ and on all American books...

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HEAT Series 3 Number 4

Contents

From the issue

Two Stories

Four Poems

Marrickville Light

Amen to Nonsense

Editor

Designer

HEAT Series 3 Number 4

Contents

From the issue

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