HEAT Series 3 Number 26 | Australian International Literary Magazine

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HEAT Series 3 Number 26

131 pages
Paperback, 21 x 14.8 cm
Published September 2026
ISBN 9781923106710
ISSN 1326-1460

Editor

Anna Thwaites

Designer

Jenny Grigg

HEAT Series 3 Number 26

HEAT 26 is about formation – how our youthful experiences and settings reach through into our later lives and are, or are not, the making of us.

In her essay ‘No Portraits of the Artist as a Young Man’, Evelyn Juers plunges into the past to find the weather, nature, colours and historical events that surrounded Australian modernist painter Ralph Balson’s Dorset childhood. In ‘Liquid Amber’, Luke Beesley allows his mind to drift through present and past as he completes a residency at the Abbotsford Convent – seeing the historical traces of the women who lived there, as he also remembers his own early experiences with his mother. Jing Cramb’s story ‘Weimin’ looks fearlessly at the painful dynamics between a migrant woman and her ageing father who has followed her out to her new life. Luoyang Chen writes in his poems, ‘my agony is not / extra / -ordinary / but a sea / of green and blue fire / -flies that exist only / in childhood memories’.

Emma Sorensen’s essay recalls an extensive interview she did at a young age with writer Gillian Mears, and how that early conversation has echoed through her life as she makes her own way with writing. In their series of poems translated from Kven and Norwegian (by Eirill Alvilde Falck), M. Seppola Simonsen captures the cold magic of the endangered language they learnt in childhood. In her story ‘This is Our School’, Lucy Lehmann follows a mother sitting in on her anxious daughter’s primary school class and observing the many unique personalities taking shape in those hours. And Gabriel Curtin’s poem ‘Snails’ describes the joys of friendship and chosen family, of being real with the ones you love, and finding the ‘source’ of your life.

Contents

Evelyn Juers  No Portraits of the Artist as a Young Man  prose
Luke Beesley  Liquid Amber  prose
Luoyang Chen  Three Poems  poetry
Jing Cramb  Weimin  prose
M. Seppola Simonsen translated by Eirill Alvilde Falck  Heartwood / Hjerteskog / Syđänmetta  poetry
Emma Sorensen  Gillian Mears and the Lost Art of Letter Writing  prose
Lucy Lehmann  This is Our School  prose
Gabriel Curtin  Snails  poetry

Frontispiece by Gavin Bell

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Gillian Mears and the Lost Art of Letter Writing

HEAT Series 3 Number 26
September 2026
By contrast, she seemed so unwaveringly certain and dedicated to her creative calling, despite its challenges. As we spoke, she described writing as being like archaeology, seeing a psychotherapist, or going deeper into a meditation. She talked tenderly about her writing routine and the importance of building in time for things to ferment or brew while she wrote letters or tended to horses. Writing was all-consuming, from the amount of time it took up to the variety of ways she wrote – making notes and writing letters were a break from writing books and stories.
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