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Gerald Murnane is regarded by many as Australia’s most innovative writer of fiction. Barley Patch is his first new work in fourteen years, written after a period in which he had thought he would never write fiction again.
The book begins with the question, ‘Must I write?’ What follows is both a chronicle of the images that have endured in the author’s mind, and an exploration of their nature. The clarity of the images is extraordinary, as is their range, from Mandrake the Magician to the bachelor uncle kicked in the ‘stones’ as a child, from the country cousin’s doll’s house to the mysterious woman who lets her hair down, from the soldier beetle who winks messages from God to the racehorses that run forever in the author’s mind, beyond the grasslands, to the place where the characters of fiction dwell before they come into existence in books.
WINNER: Adelaide Festival Literature Award for Innovation 2010
WINNER: Melbourne Prize for Literature (body of work) 2010
This is capital L Literature, bursting with intent and ideas, but written as good Literature should be: pitching at street level, without affectation or arch, high-blown language. Barley Patch is a readily accessible test of the mind’s elasticity that should be recognized as a unique, timeless, and utterly satisfying work.
James Rose, New York Journal of Books
Murnane is unlike anyone else, the sort of writer who demands to be read in a new way but, above all, demands to be read.
Brian Evenson, Chicago Review of Books