‘I Don’t Hate America. I Regret It.’ S. Freud | Poetry by Chris Mann | HEAT (1996)

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‘I Don’t Hate America. I Regret It.’ S. Freud

(Morality is the irony of ethics:) Language (Knowledge is that language used by the self.) does not mean innocence. And the psychology of um names guilt an it, a comic sit sat set suit position of bees that way. K? Coz not a qualified speaker. I mean the opposite is only repetition. N words is anyway chicken. Think themselves subjective coz they know but only one definition of a word, a negative plot, what’s (joe joke) excommunicate—autopsy proxy and the spots. A question is thus a proposition with intent, an ideal when—there being no real memory of ignorance. A not. On one leg. A typically it. Oops. Looks. A negation is only particular, like portable criteria, does answers by the book. Names sames. The the of that. Stands for. Is this. But a bunch of saids on the edge of sense took up. Dull understood. A past. And, being analogous to it’s object, blinks. A sum. Of. Demonstration sense, a pause, now muchs thusness. Too. By foot. The self is so a humble event. At that evidence requires a motive. I agrees, I guess.

(On being saved from what you want (knowledge is/as the paradox is/as/of love (to look for is the negative of look (sook))): the ideal of objects, hypnotics, tics and optics is better ends, a symptom (cure) (knowledge is that failure that bites) that bits. Spot, sic em. The self that envies (maybe is pretty sexy) itself—coz it likes (to wait), a cheap dependence (pain is that apology that comes in boxes): I see. Really. And the hypocrites. And the jealous distractions. Subtle. And the use. And irony is only a form of knowledge, of suggests, a security of loss, a sullen (latin) satin (knowing is something you do behind it’s back, a you-beaut substitute), me mean. And I denies. Apathy apathy quack. An anaesthetic begs the question. A pathology of that, an evidence. (A symptomatology of the explains? A colony? Shutup and start talking.) Truth and the bored sadists: durable guilts (glitzy gloss lots picks (see saw sinny) fits t fix (incest and other bests)) seem (and the limits of interpretation) to this a bit too much. Tough. And, suffering an excess of meaning, seemed repetitious. It failed to be criteria. Or time. A sponsor of mere use. A possible. Object. The last word. A tease. (The advantage of nexts—not knowing—is thus particularly sentimental.) Music, on the other hand, likes to compete with the past. Coz it’s left over. Two f’. -s/-ests as -ed in (so (coz it’s only bigger than it has to be)) -ing ’d know perhaps (jus like a dog) (so so and the subjunctives (so no smug and the common sense (nameless) mnemonics of convenience)): suffix. The hyphen—the false is of course not known—calls up a comma full of lawyers, a criterion in pants (some same fallibles sum) that up (Events is just attempts to avoid mistakes, a thing in toos.) implies (there being no such fact) denies. And being independent of what may put it now and then in doubt it much. And somewhere between the subject and the fact. And. (That wants to hide facts from experience. To insure objects as facts.) La tax. (Like symptoms is criteria. Def’nit’ns for tea.) As proxies. I mean a sock is not (yet) a no state of affairs. Contexts (absence, a form of justice) makes of this inheritance (this, a docile then, an axiom in ’xamples does not), a soon what gotten seen to, a commerce possible remains, a front. But (the (yet) list) is not a question, a to-be cue of coo queues as class as past, a given. Alibi that! As bias. A too t deja vu. A plural yous. From. -ly. (Right.) (On not seeing what’s not there to see: use (Two may indeed behave as if it’s really two.), a nurse (otherwise, a la intent, it just represents).) But as the patient of language, a subject is quite economic. What is a proper noun. It is subjective. May be stupid. And it lends. (It might rain.) A function. Representation—cheap distance (I mean it knows)—thus begs the question Says you and who’s army? It and ain’t yet evidence. It ain’t yet about. That forgives the gift. Us (The arbitrary of answer admits no indeterminate questions, no complacent ain’ts, nor no’s. It it’s (the self some form of irony), an argument as example, a refer.) bus. Regret and the ally (flaccid) can anonym tautology (a self) as (poss) contradicts, a butt in to goss. Action thus holds sentences together, a glib motive (so-that starts on the far side of answers), a rep, in tents. Rational tat. It itches. And seems to do. Per se. (The experimentalist, a hollow behaviourist, waits. Positively. On the false experience. Pats facts. Jacks. A pragmatics. Logic, ipso ego, chat. The psychology of it.)). Stupidity is (thus) a method, an ontology on speed. A mine. 

Being of another mind, the fails require. (You mistakes being for intention—only we lie by saying nothing—a beautiful need.) So, the aesthetics of proof, price is ideal—the ides of evidence, culpable dues (Association is a form of synthesis, an illness of decision, an obvious uncompromised by being understood, a crock.). Bot. Existence, a symptom of things, modests some patchy hesitants, a cozish prozak fat. (And the motives? An allergy. Yes, reason is transcendent. Like any list.) That prattles on. A condition that betrays. A sceptic ulcer. That like negation says the same thing thing. Already. I mean, cock, a word is not a clock, some ulterior past of interest, a pluperfect fallacious, a smuggled paradox, as qua as (What is the verb of there?) air. (Consciousness—the more or less transparent attempt to avoid what you know—is the proposition that forgetting is particular (silent, like the P in swimming), a passively inadequate (Some messianic now (experience as a form of ecstatic), dobs. A system, an absence that has no symbol (politics fucks)) satisfied. And, having rights to the possible, it distributes violence by way of subjects to prove chit untranslatable, a superstitious nonplussed um, a suss-muchs success, of my mart, a privileged present of protected expectations, precedents and tampons, an immune. Description, the autonomy of said system, fingers the event. As ends. With spoons.) The adequation of the real, a normative repeat (it defines and justifies) looks la continuum as cause, a positivist’s fit. Why? Did I?

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