Parramatta: A Dictionary of Place and Memory by Yumna Kassab

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Parramatta: A Dictionary of Place and Memory

352 pages
Paperback, 21 x 14.8 cm
Published July 2026
ISBN 9781923106741

Cover design

Allison Colpoys

Parramatta: A Dictionary of Place and Memory

Yumna Kassab

Parramatta: A Dictionary of Place and Memory is a unique meditation on place and memory by Yumna Kassab, the inaugural Parramatta Laureate in Literature. Kassab is a highly regarded author of six works of fiction, and has been shortlisted for several major literary awards.

In thinking about the dictionary, I ask what is the dictionary here. It is me and my memories. The dictionary is Parramatta itself as the place that is the backdrop to my memories.

As the inaugural Parramatta Laureate, Yumna Kassab set herself the task of collecting her observations and thoughts on living in the city, now one of the country’s most important economic, political and cultural centres. Employing the dictionary form, the work is at once ‘memoir and reflection and vision and gathering and story and documentary’. The entries, from A to Z, cover a wide range of topics, from the uses of language and Kassab’s favourite authors and books, to the fortunes (and misfortunes) of the Western Sydney Wanderers; from reflections on beauty, silence, colonisation and friendship to an appreciation of clouds and sunlight, parks and squares, and the city’s cafés, the places where she writes. The entries also offer points of departure, through memory and association, to other places – to Lebanon, Uruguay and especially to Palestine, whose fate casts a deep shadow over her daily experiences. It is a personal dictionary, driven by feeling and admiration and a sense of responsibility, one which, in an unassuming manner, presents an intimate portrait of its compiler.

Expansive and discursive… Parramatta: A Dictionary of Place and Memory is underpinned by a perennial desire to learn, an unquenchable thirst for knowledge and the constant need to deconstruct, translate and decipher.
Sonia Nair, Books+Publishing

A work of psycho-geography: one that explores, delineates and uncovers the city’s landscape and its many layers through the author’s emotions, behaviours and affiliations. Not everything is about Parramatta, but so much is inspired by it.
Sarah Ayoub, Sydney Morning Herald

Dip in and be stimulated, educated and entertained.
Jason Steger, The Booklist

A distant relative of Georges Perec’s An Attempt at Exhausting a Place in Paris and Maria Tumarkin’s AxiomaticParramatta insists that a suburb can be the centre of a literary universe. By the last entry, you’ll want to walk its streets.
Nathania Gilson, The Saturday Paper

Wonderfully inventive… I want to read the books [Kassab] mentions, try the coffee shops she mentions. I want to share in her enthusiasm; I want to be prompted to think about the richness our recent migrant history has bestowed upon us.
Nick Mattiske, Insights Magazine


Praise for Yumna Kassab:

Continuously surprising and probing…both personal and expansive; introspective and ambitious.
Kylie Mirmohamadi

Stylish and searching writing, with an exquisite command of language holding fast through unstable experimentation with form.
Sydney Morning Herald

Kassab has written fireworks.
Guardian

Kassab’s prose is unsparing and frank yet unstinting.
Sydney Review of Books

About the Author

Yumna Kassab

Yumna Kassab’s books with Giramondo include The House of Youssef and Parramatta: A Dictionary of Place and Memory. Her work has been listed for the Stella Prize, the Miles Franklin Literary Award, the Prime Minister’s Literary Awards, and several state premier’s literary awards. Her writing has appeared in Sydney Review of Books, Griffith Review and the Sydney Morning Herald. She was the inaugural Parramatta Laureate in Literature.

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Reviews

Parramatta insists that a suburb can be the centre of a literary universe. By the last entry, you’ll want to walk its streets.

Books+Publishing

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Yumna Kassab on Parramatta: A Dictionary of Place and Memory

‘It was my idea that a dictionary could tell the story of a person (me) in connection with a place (Parramatta) with enough flexibility to take in detours, digressions, musings and general quirkiness. I knew at the outset that the entries would be placed under titles and it would be fragmentary in spirit.’

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