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The poems in Rose Interior move between the inside and outside of everything they touch, from the domestic scene, both cosy and claustrophobic, to the social and ecological settings we must all answer for. Poems from Ireland, Switzerland and Australia consider life at home in the personal sense: through the body, childhood memories and family houses, ‘a room within a dream’. Wherever home lies, it’s always on borrowed time. The collection turns inward to ponder human transience. Yet there’s also the wider sense of our place in the world, where the natural environment requires our closer attention, especially the things we ignore or devalue when we put self at the centre. Against the background of the global pandemic and ongoing climate change, the book’s last section deals with experiences of home education during lockdowns, for better and for worse. It calls for more kindness not only to ourselves, but to younger generations and our future.
Powerfully intimate and neo-sublime, the poems in Rose Interior are transformative explorations of inner space…Read this book for everything it yields – a whole, exquisite world.
Cassandra Atherton
Ryan is a brilliant interrogator of the unperceived: her poems are alert to semblances, echoes and inversions that others ‘wouldn’t look twice at’, making contiguous what might otherwise remain disconnected.
Sarah Holland-Batt
Tracy Ryan’s is a poetics of domesticity and precarity, of homes and lives always on the threshold of breaking down or vanishing. As such, while Rose Interior speaks quietly, it nevertheless speaks urgently to our crisis-plagued times.
Maria Takolander